Nothing takes my breath away quite so much as the landscape of northwestern Wyoming. If I say it leaves me speechless, you will understand how very difficult it is for me to relate the love affair I have with this small section of our vast country, how I feel no dictionary is complete enough to supply words to describe this patch of land where the earth has struggled like an indecisive artist to create high plains that stretch themselves into the harsh, jagged peaks of the Tetons. One can only feel reverence, one can only feel a minute speck in the vast panorama; it makes you realize how tiny and inconsequential you are in the scheme of things. So now, imagine how envious I am of those who are lucky enough to live there year-round compared to my two, comparatively brief stays each year. Then you can realize both the awe in which I hold those who homesteaded this unforgiving country and the jealousy I feel that they were able to live here. This is a land that gives you a sense of history, a sense of destiny. It is a geography of hope, forged by nature and hard won by man.
One of the men who would put his mark on this country was J. Pierce Cunningham. A fellow New Yorker, he arrived in the Jackson Hole area of the Tetons around 1885, aged about twenty. A few years later, he and his wife staked 
a claim under the Homestead Act, and thereby laid the foundations for what would become the Bar Flying U Ranch. The cabin they built, which under the Act had to be at least 12 x 12, was what is commonly known as a dogtrot or double-pen cabin, encompassing two separate rooms with a dogtrot or breezeway in-between. Although a more substantial home was eventually built, along with sheds, barns and other outbuildings, it is the original cabin that still stands today.
When I first visited Cunningham’s cabin I was immediately struck by the isolation of this remote location, how lonely it must have been in the 1880s. Although more than four hundred claims were filed in Jackson Hole in the latter part of the nineteenth century, the vastness of the valley meant there could be little interaction, especially during the harsh winter months. And this was a hardscrabble life; rocky soil led to high operating costs as ranchers struggled to feed their cattle during the long winter. The horrendous winter of 1886/87, as I described in my book Loveland, put an end to much of the open range ranching.
One might think, why do it then? I can only answer for myself as to what I feel when I stand there, surrounded by a landscape so startling, so inspiring, you feel purified, whole, inconsequential and ephemeral. Not having been born there, I cannot fathom my own attachment to this place, why I feel the oft-repeated need to return there, but it somehow cleanses me, clears my head. It was obvious that I somehow had to employ this site as the backdrop for a book. You might think it a poor reckoning, to use a setting so magnificent in my modest western historical romance. After all, I could not possibly do it justice.
The view from Cunningham’s cabin
But I have tried…
Dearest Darling comes out Oct. 8th from The Wild Rose Press. To celebrate, I’ll be giving out copies of both this new novella and my full-length novel, Loveland, to up to 5 people who leave a comment. The winners are Liz Flaherty, Eunice Boeve, Roni McFadden, Susan J. Tweit, and Rolynn Anderson. Congrats to all and I hope you enjoy the books.
Stuck in a life of servitude to her penny-pinching brother, Emily Darling longs for a more exciting existence. When a packet with travel tickets, meant for one Ethel Darton, accidentally lands on her doormat, Emily sees a chance for escape. Having turned down the dreary suitors that have come her way, is it possible a new existence also offers a different kind of man?
Daniel Saunders has carved out a life for himself in Wyoming—a life missing one thing: a wife. Having scrimped and saved to bring his mail-order bride from New York, he is outraged to find in her stead a runaway fraud. Even worse, the impostor is the sister of his old enemy.
But people are not always as they seem, and sometimes the heart knows more than the head.
EXCERPT:
Emily liked the sound of his voice, low but not husky, a slight twang he had cultivated, but not pretentiously so. When he spoke, she envisaged melting caramel, something delicious, the way it could be so appealing as she stirred, with a shine and slow drip from the spoon, before it gradually solidified. Soothing. A liquid velvet.
But he hadn’t spoken today. Not since first thing when he’d told her to get ready. Not through breakfast, or as he helped clear dishes, or gave her a hand up into the wagon.
“You haven’t seen her. You didn’t see her picture, did you?” The questions came sudden, yet without malice.
Emily straightened, alert. “No. No, I didn’t.” Would I understand better? Is that what he meant?
“I keep it with me.” Daniel began to fish in his pocket. “Would you like to see it?”
“No. No, you keep it, please. It won’t change anything.” Emily panicked. She would be beautiful, the other, that would be the answer. So stunningly beautiful that just her photograph had enthralled him, mesmerized him into loving her. Emily couldn’t bear to look, didn’t want to know the answer. Didn’t wish to torture herself further. “And I’m sorry. I’m sorry for reading the letters.” A rush of words, they flowed out of her. “I should never have done that. It’s not like me. But you…well, you understand it seems—”
“You’re probably wondering what I see in her. Or what she sees in me. As for that, what she sees in me, I have no idea. Maybe, like you, she wishes to get away.”
Emily studied his profile, the planes and contours of his face, the eyes set straight ahead, the slouch hat low on his brow. He gave nothing away, was a man in control of his emotions, thinking, maybe still wondering how he had won that woman. Or maybe set on keeping the answer to himself.
Overhead, clouds scudded, scoured the sky, leached the blue, threatened.
“Did you ever ask her? Why you?”
“I did. She never answered. I’m thinking what she sees in me is husband material. I guess. She tells me about her day, the people she knows, what she does. As you read.”
“She just seems so…so outgoing, so…so very social to ever want this life. I found it difficult to believe.” She jutted her chin out, then turned to him, waiting.
He gave the reins a sharp shake. “I don’t know. I never asked if she knew what she was getting into. I described it. I assumed if she wanted to stop the correspondence there, she would have. I was pretty damn amazed and happy she’d wanted to come, written back even though I described the cabin to her, the isolation.” His gaze slid toward her.
“And you think she’ll make you a perfect wife, do you? Be happy living here? Cook your meals, mend your clothes, keep your cabin, have your babies?” Exasperated, she tried to make him think, think of what he was letting himself in for, how long a marriage like that could go on, how it could end up being even lonelier than he was now. Emily would seem to him to be trying to win him over rather than making him see the truth, but push him she must, save him, stop him. She knew those sorts of women, the debutantes, the socialites. Not a one would last out here, not for a single day.
His head snapped around to stare at her. “She’s been writing. She hasn’t stopped.”
Buy at: Amazon: http://www.amazon.com/Dearest-Darling-Letters-Andrea-Downing-ebook/dp/B00NGWT816
The Wild Rose Press: http://www.wildrosepublishing.com/maincatalog_v151/index.php?main_page=product_info&cPath=195&products_id=5842
There are numerous reasons why an author might accept an invitation to join an anthology. The ability to interact with other authors is appealing; the thought that new readers might find your work through the audience of the others is an attraction; and, for some, getting a story out that perhaps you already have and sharing the workload of promotion might be the draw. As for myself, having been faced with sixteen months of wedding planning which reduced my writing time, I saw the proposition of Continue reading 
Andrea Downing 