Native American Slavery

 

headFellow member of Women Writing the West, Alethea Williams is the author of Willow Vale, the story of a Tyrolean immigrant’s journey to America after WWI. Willow Vale won a 2012 Wyoming State Historical Society Publications Award. In her second novel, Walls for the Wind, a group of New York City immigrant orphans arrive in Hell on Wheels, Cheyenne, Wyoming. Walls for the Wind is a WILLA Literary Award finalist, a gold Will Rogers Medallion winner, and placed first at the Laramie Awards in the Prairie Fiction category.


“In sofar as the taking of captives and reducing them to slaves was concerned the Apache acquired this custom from the Spaniard or Mexican, and it is safe to say that during the period of which I write there was not a settlement in the valley of the Rio Grande that did not number among the inhabitants a large number of Apache and Navajo Indian slaves.”

—Ralph Emerson Twitchell, The Leading Facts of New Mexican History, Torch Press, 1917

The primary female character in my novel, Náápiikoan Winter, is abducted as a child and later traded into slavery. She is abducted by Apaches, sold by Utes, and enslaved by other tribes including the Piikáni. Was it true that Native Americans learned this practice from contact with the Spaniards, as the quotation that opens my book asserts?

Although it’s true Christopher Columbus started an unholy tradition by enslaving over 500 Indians, an article on the website Oxford Research Encyclopedia: American History by Christina Snyder says, “The history of American slavery began long before the first Africans arrived at Jamestown in 1619. Evidence from archaeology and oral tradition indicates that for hundreds, perhaps thousands, of years prior, Native Americans had developed their own forms of bondage.” Indians captured women and children to replace the up to 90% of their people killed by war and diseases they had no defense against. In an article for Slate, Rebecca Onion says “Native types of enslavement were often about kinship, reproductive labor, and diplomacy, rather than solely the extraction of agricultural or domestic labor.”

All Native tribes that I know of were called “The People.”

photo of a Blackfoot by Edward Curtis, hairstyle described in Naapiikoan Winter as a similar one worn by the character Saahkómaapi (Young Man), Beaver Bundle Man to the Inuk’sik band of the Piikáni, the band’s Dreamer

photo of a Blackfoot by Edward Curtis, hairstyle described in Naapiikoan Winter as a similar one worn by the character Saahkómaapi (Young Man), Beaver Bundle Man to the Inuk’sik band of the Piikáni, the band’s Dreamer

What this common nomenclature implies is that the people of one’s tribe were People, and all others were something less. Captives were outside society, but slaves were even further outside the social order. So as a slave passed from tribe to tribe, my character Buffalo Stone Woman would have had many instances of rejection and neglect. For most of her adult life, she would not have been accepted by anyone as a true person, but a creature somewhere on a level with a dog or other tamed animal.

There were ways to escape the status of captive, enshrined in solemn ceremony, that could make of a mere captive a real person by adoption or marriage. Slaves were of a different nature, “distinguished by the extremity of their alienation from captors’ societies and the exploitation of their labor to enhance the social or material life of the master,” according to Snyder. Slaves often had a lot of freedom to come and go in the performance of their duties. And slavery wasn’t a hereditary condition: children of Indian slaves were not themselves enslaved.

So in Náápiikoan Winter, when Buffalo Stone Woman finds a home at last among the Piikáni at the base of the Rocky Mountains where although a slave she has attained the status of a distant wife to the powerful Orator, she wants never to have to leave this safe haven. She is tolerated, even accepted. She brings to her new people her skills and her knowledge, which makes them, already powerful, an even more potent force on the Plains.


Alethea has graciously agreed to give away one copy of Náápiikoan Winter to one person who leaves a comment.  And the winner is Barbara Bettis.  Congrats!


Naapiikoan Winter CoverAt the turn of a new century, changes unimagined are about to unfold.

THE WOMAN: Kidnapped by the Apaches, a Mexican woman learns the healing arts. Stolen by the Utes, she is sold and traded until she ends up with the Piikáni. All she has left are her skills—and her honor. What price will she pay to ensure a lasting place among the People?

THE MAN: Raised in a London charitable school, a young man at the end of the third of a seven year term of indenture to the Hudson’s Bay Company is sent to the Rocky Mountains to live among the Piikáni for the winter to learn their language and to foster trade. He dreams of his advancement in the company, but he doesn’t reckon the price for becoming entangled in the passions of the Piikáni.

THE LAND: After centuries of conflict, Náápiikoan traders approach the Piikáni, powerful members of the Blackfoot Confederation. The Piikáni already have horses and weapons, but they are promised they will become rich if they agree to trap beaver for Náápiikoan. Will the People trade their beliefs for the White Man’s bargains?


Excerpt:     CHAPTER 1
ISOBEL, A LIGHT SLEEPER, woke in darkness to the sounds of her parents’ habitual nighttime dispute.
“Will you do nothing? Stupid, lazy bitch! No better than a dog in heat—you breed bastard children from different men and leave them to raise themselves. You’re like a mangy cur bitch on a leash of gold. I wish I’d never set eyes on you!”
Graciela, Isobel’s mother, said something too low for the child to decipher.
In reply, Isobel’s father, Armando, growled, “It won’t work this time, Graciela. Have you no pride? You resemble the commonest prostitute on the streets of Cádiz!”

Suddenly Graciela cried out in pain. Isobel, listening, shivered, imagining that her father perhaps twisted her mother’s arm, or pulled a handful of her long hair, both of which she had seen him do.
“Whore! Look at the paint smeared on your face.”
The sound of slaps to bare flesh resounded down the hallway. A tear slipped down the listening child’s cheek.
Then a brief silence ensued, soon replaced by the rhythmic creak of bed ropes emanating from the room of her parents, and Isobel dared to think another truce called between the combatants. Armando and Graciela often scrapped late into the night, frightening Isobel, their unintentional eavesdropper. Sometimes she thought Armando might kill Graciela, but the rasp of their bed against the wall usually signaled that her father had once more been pacified. Now that she had found out how to connect the sound to its corresponding action, she began to wonder why the act of the making of babies should cause adults to stop fighting. She thought long and hard on it, until she decided that the exertion must surely make her parents too tired to continue fighting.
At last all sound ceased, and Isobel concluded her parents must be settled in for the night at last. She had just about returned to slumber when she became aware of the sound of harsh breathing inside her small room. Her father stood over her bed, his boots in one hand, shaking with an apparent effort to stifle his emotions. He whispered, “Get up. Get dressed. We’re leaving.” She started to say, “But where are we going?”
Her father put a shaking finger to his lips to quiet her. “It’s a…an aventura. Just you and I. We will ride out of here tonight, and you will come back an educated lady someday—and show them all. No one will ever be able to look down on my daughter, Isobel Ochoa! Now, get dressed. Quietly! Don’t wake your sisters.”

35 responses to “Native American Slavery

  1. An interesting aspect of Native American culture that is seldom portrayed in fiction. Isabel’s father clearly has no idea what type of adventure await’s her.

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  2. Thank you so much for hosting Naapiikoan Winter on your site!

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  3. Thanks for commenting, Brigid. I hope if you’re reading Naapiikoan Winter that you’re enjoying the story and will consider leaving a review on Amazon and/or Goodreads.

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  4. This was fascinating. Thanks for the illumination.

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  5. I’m writing a novel set in the Chickasaw Nation in 1820, today’s northern Mississippi. In the 17th and 18th Centuries, the Chickasaw, Choctaw and other tribes took captives from enemies and traded them to English, French, and Spanish colonists. After American independence, most tribes held African slaves as a means of advancing economically against the US slave societies. Escaping slaves made their way into Indian country seeking freedom, but usually found bondage instead. When the tribes were removed west of the Mississippi River, they took their African slaves with them. These slaves were not impacted by the Emancipation Proclamation nor the 13th Amendment. They were freed in separate agreements with the US Government in 1866.

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  6. Barbara Bettis

    What a wonderful post. Your excerpt was so compelling, Alethea! David’s comment was intriguing, as well!! Best of luck with the book.

    Liked by 1 person

  7. An intriguing theme and interesting story. Looking forward to reading it.

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  8. Your interview was so informative! Your book sounds like it will be an emotional roller coaster and a fascinating read.

    Liked by 1 person

  9. Wonderful story and essay. I write about the Mission Indians of California. In my upcoming release Maria Ines. The relationship of church and Indian is complicated. I appreciate your research. A worthy contribution to women’ s fiction of the West.

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  10. Slavery has been a part of every culture from the beginning of time. Your book sounds great, Althea.

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    • I find it more than curious that American Indian history has never become part of “American” history. Mention slavery in America and only African slavery ever comes to mind. In the recent tragedy in Orlando, I read more than once that it was the “biggest” mass slaying ever, as if the U.S. cavalry massacres of Native American camps never occurred, and as if one mass murder can be compared to another. Thanks for commenting, and for your good wishes.

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  11. An uncomfortable subject, but one that can’t be swept under a rug. Thank you for researching and telling a story that should add to our knowledge of what life was like during those early years of ‘exploration’.

    Congratulations.
    Doris

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  12. Thank you, Doris! As a fellow historical researcher who likes to dig deep, I truly appreciate your support.

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  13. Loved the post! I know my Cherokee branch owned slaves before they were moved to Oklahoma in the early 1800s. Great research!

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  14. Sounds like a great story and my list grows ever longer. 🙂 You probably know this, but both Sacajawea and Wet-Khoo-Weis who helped Lewis and Clark, one as a guide and one by keeping the Nez Perce from killing them, were captured by other tribes, the latter sold, and traded until she, like Sacajawea ended up in the exact place they needed to be to aide those early explorers.

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  15. Hi Eunice. Thanks for your comment including a bit of Native American slave history that I and perhaps other readers did not know. I hope you get to read Naapiikoan Winter from your TBR list one of these days!

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  16. When Lincoln “freed” the slaves, he purposely excluded Mexican and Indian slaves from the Emancipation Proclamation because he wanted to keep the far western states from leaving the union over the issue. The life of peons on the large rancheros was no different than that of Negros in the South.

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    • Frank, thanks for the information. You might be interested to know the first part of Naapiikoan Winter is called “Nuevo Mexico,” where young Isobel is first captured by the Apaches and later sold into slavery by the Utes. Life was harsh for the peons and Indian slaves under the Spanish not only on the rancheros, but also in the silver mines, another topic addressed in my book. If all of you who have taken the time to comment get a chance to read Naapiikoan Winter, I hope you enjoy it and will consider leaving a review.

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  17. Great writing in that sample. Growing tension. Childhood wonder. Many questions that need answers.

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  18. I hope this small excerpt and the essay serve to help readers remember the book so they will add it to their TBR lists. Thanks for commenting, and good luck in the drawing.

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  19. Fascinating post. I’m really looking forward to reading this book. Thank you, Andi and Alethea. Every day I learn something new about the West is a good day!
    Kelly

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  20. Concise and well-researched piece. Thank you for this.

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  21. This book sounds really interesting as I am currently researching my ancestry of Afican and Native American descent and trying to find out the truth in some much different stories and information. I would love to know what resources did you use to learn about this form of slavery? I look forward to adding your book to my discoveries!

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    • Hi, thanks for your interest in Naapiikoan Winter. Most of the sources I used to research the novel are listed in the back of the book, but unfortunately by no means all as it was written over the course of 20 years and I neglected to list every book I read in conjunction with the writing. Information on Native American slavery is readily available on the internet, which I find most helpful as a jumping off point, consulting the authors blog posters use as sources for their material. It looks like David Wilma, who posted above, is researching the very area you are asking about. Maybe you could consult him for a few leads.

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